Lighting was also key in creating a high-energy experience for the show. Disguise rendering provides ultra-high resolutions and excellent frame rates as well as vivid color, clarity and complexity.įor uncompromised image quality, LMG Touring used Sony 4K YHD HDC4300L Studio Cameras to deliver an unparalleled live video production experience. This allowed the performers to interact seamlessly with the visuals, creating a captivating experience for the audience. To achieve an epic visual experience, LMG Touring utilized disguise GX2c media servers for real-time rendering that is responsive to its environment. This fourth side was used whenever we felt we needed an ‘analogue punch of power’ on the stage.” The fourth side of the columns were then used selectively to revel vertical systems of GLP X4 bars to add epic blades and points of light. It provided a depth for the LED that was beyond the team’s expectations. The Lexan covering the LED allowed us to create a surreal, mirror-like infinity whenever the video wasn’t used. The goal was to never see where the columns ended and where the video wall began. The LED panels within the columns allowed us to extend, break away and aperture the Colosseum’s mammoth video wall and the content being designed for it. LMG then skinned three of the four sides of each column with LED panels, which were created with a black Lexan facing. This fourth side was used whenever we felt we needed an ‘analogue punch of power’ on the stage,” “TAIT Towers created and provided the structure and automation for the three systems that each carried four columns. “TAIT Towers created and provided the structure and automation for the three systems that each carried four columns. tall, the columns independently travel in all directions and rotate 360 degrees. To bring this vision to life, the team created a clean and modern stage design with 12 enormous 3D tracking ROE CB8 LED columns with custom smoked fascia that could be reconfigured throughout the show to create new environments for each song. What a fun idea!” says Sydney Asselin from FragmentNine. “Most of the audience is probably focused on Usher himself, but the storyline here is taking us on a literal space journey to another party. “In Act IV, we are transported to outer space, because, well, everyone loves outer space!” “Loosely, we journey from a club to the city streets, back to the pad,” says Jeremy Lechterman, Lighting Designer. Simon Hammerstein and Richard Kimmel of Outside the Box developed the initial creative concept for the show: A multi-act journey through a day in the life of Usher, tracked through a list of global hits spanning the artist’s 3-decade-long career. LMG Touring provided grandMA3 full lighting consoles to control more than 500 moving lights to create an enriching visual experience for the audience. The dead branches are on printed vinyl stickers and attached to Perspex boxes that we dubbed the ‘fish tanks.’ Along the upstage side of the fish tanks is a line of video and asymmetrical ‘forest’ of Martin VDO Sceptrons. LMG Touring & Entertainment is proud to support Usher’s Las Vegas Residency at Caesar’s Palace through December 2021, creatively utilizing LED, lighting, disguise media servers, cameras and more to deliver a larger-than-life show featuring the eight-time Grammy winner’s greatest hits.
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